Chiara, insegnante alla John Dewey High School di Brooklyn e promettente pugile della leggendaria Gleason's Gym, sogna di diventare campionessa dei pesi piuma. Cresciuta in una problematica famiglia italo-americana di Bensonhurst, si aggrappa alla boxe come unica via di riscatto. Dopo una breve ma eccezionale carriera costellata di sole vittorie, un terribile incidente sul ring la costringe a ritirarsi, infrangendo il suo sogno. Ma è nel buio più profondo della sua vita che Chiara trova “la fede”, una forza spirituale che la spinge a rialzarsi e a sfidare l’impossibile. Contro i pronostici del proprio medico, Chiara decide di riprendere in mano i guantoni, rischiando la vita pur di inseguire la sua ambizione.

Zì Carmela, the owner of a famous restaurant in Naples, wants her niece to marry an English peer and doesn't like her love story with Carlo the son of a baker. When the English lord comes to Naples with his family she throws a magnificent party during which however class differences come out. Will this convince her and stop her from being castles in the air?

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Rudolf a nazi officer falls in love with Ester a jewish singer and tries to save her from deportation hiding her in the Monastery of Santa Chiara.

Two stories of people who's life has changed after joining the cult of "La Santa Muerte" for both better and worse.

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A serial killer is stalking the streets of Paris and Maigret has to resort to setting a trap in order to catch him.

The 1791 La Clemenza di Tito (or 'The Clemency of Titus') marked Wolfgang Amadeus Mozart's final opera seria. With a libretto by Metastasio (edited slightly by Caterino Mazzolà), the work dramatizes the palace intrigues surrounding emperor Titus's attempts to coronate a new bride and the envious Vitellia's attempts to have Titus assassinated (with the help of Titus's friend Sextus) following the deposition of Vitellia's emperor father. Stage director Martin Kušej mounted Tito in August 2003, at the Felsenreitschule in Salzburg; a film of that live performance now appears in this home video release. The cast includes Michael Schade as Titus, Vesselina Kasarova as Sextus and Dorothea Roschmann as Vitellia. The Wiener Staatsopernchor, under the baton of Nikolaus Harnoncourt, provides musical accompaniment; Jens Kilian designed the sets.